The impact of the various entertainments on patients will be discussed together with the largely unexplored relationship between leisure and material culture as part of this healing process after all, as patients engaged in activities, they appropriated objects and surroundings, fostering social interactions amongst each other, with staff and with the wider public. Using voices from various stakeholders, it will highlight the multi-faceted nature and terminology of healing in the context of recreation. This paper will investigate to what extent both patients and staff perceived and experienced these activities as agents of cure. As part of the recently-established moral treatment regime, these included balls, sports fixtures, drama, music and art. Yet many of these institutions were run by medical men who actively engaged with their patients, offering a varied recreational activities programme in a domestic setting aimed at recovery and rehabilitation. British madhouses and asylums in the nineteenth century were often portrayed as places of wrongful confinement, lacking compassion and effective therapeutics.
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